Whistler Film Festival Princess Gets Gangsta

whistler_film_festival.jpg

“Mainstream movies are predictable, with the same stories told time and time again. Hardcore film buffs who attend festivals like Whistler want see something new and original. They enjoy the experimental nature of festivals – sometimes they get something good, sometimes terrible, but it’s always original and unexpected.”

Those are the words of Dare Executive Creative Director Rob Sweetman who is behind a new campaign for the Whistler Film Festival.

An animated spot, created with Tokyoplastic in London, starts like a lovely princess story by Disney, but quickly turns into a scene you’d expect from a movie like Scarface.

Two live action spots were shot with Jeff Low from OPC, and edited by Matthew Griffiths and Rob Doucet at Cycle Media. Each represents a different genre with authentic film techniques, and both take the viewer to unexpected places.

Unexpected, indeed. Very nice work.

Picture of Steve Hall

Steve Hall

RECENT ARTICLES

TRENDING AROUND THE WEB

I’m 73 and last Thursday my doctor asked who was driving me home and I said “I drove myself” and the look on his face told me that answer had an expiration date and the 40-minute drive home was the first time in my life I was afraid of something I’ve done ten thousand times because he didn’t take my keys but he took my certainty and that’s almost worse

I’m 73 and last Thursday my doctor asked who was driving me home and I said “I drove myself” and the look on his face told me that answer had an expiration date and the 40-minute drive home was the first time in my life I was afraid of something I’ve done ten thousand times because he didn’t take my keys but he took my certainty and that’s almost worse

Global English Editing

I’m 65 and I found a box of photographs in the attic last month and I sat on the floor for three hours — not because I was looking at them but because I was looking at a world that doesn’t exist anymore, where my parents are young and my children are small and the kitchen table in the background is the center of a life that felt permanent and turned out to be temporary

I’m 65 and I found a box of photographs in the attic last month and I sat on the floor for three hours — not because I was looking at them but because I was looking at a world that doesn’t exist anymore, where my parents are young and my children are small and the kitchen table in the background is the center of a life that felt permanent and turned out to be temporary

Global English Editing

I’m 73 and my daughter recently told me I look ‘frumpy’ now that I’ve stopped wearing makeup and heels every day — and instead of feeling hurt, I felt free, because her discomfort with my comfort told me everything I needed to know about whose approval I’d been performing for

I’m 73 and my daughter recently told me I look ‘frumpy’ now that I’ve stopped wearing makeup and heels every day — and instead of feeling hurt, I felt free, because her discomfort with my comfort told me everything I needed to know about whose approval I’d been performing for

Global English Editing

I’m 66 and I’m still working, still paying a mortgage, still helping my kids, still driving my mother to her appointments, still pretending I have the energy I had at 45 — and the invisible decade I’m living through has no anthem, no self-help section, no supportive community, just a quiet expectation that I’ll keep holding the weight without mentioning what it’s doing to my knees, my marriage, and the version of myself that I keep promising I’ll get back to when things calm down, which they never do

I’m 66 and I’m still working, still paying a mortgage, still helping my kids, still driving my mother to her appointments, still pretending I have the energy I had at 45 — and the invisible decade I’m living through has no anthem, no self-help section, no supportive community, just a quiet expectation that I’ll keep holding the weight without mentioning what it’s doing to my knees, my marriage, and the version of myself that I keep promising I’ll get back to when things calm down, which they never do

Global English Editing

Nobody talks about the women who raised entire families, kept every tradition alive, and held everyone together for forty years — and then got thanked by being called “strong” instead of being asked “are you okay” because those are two completely different sentences and only one of them requires anyone to actually do something

Nobody talks about the women who raised entire families, kept every tradition alive, and held everyone together for forty years — and then got thanked by being called “strong” instead of being asked “are you okay” because those are two completely different sentences and only one of them requires anyone to actually do something

Global English Editing

Research suggests the reason many men over 60 struggle to articulate emotional needs isn’t stubbornness or pride, it’s the total absence of practice — they were never asked what they needed as boys, never shown what asking looks like by their fathers, and never given a relationship where the asking wasn’t met with discomfort, redirection, or the subtle withdrawal of respect, and you can’t expect fluency in a language that was never spoken in the house where you learned to talk

Research suggests the reason many men over 60 struggle to articulate emotional needs isn’t stubbornness or pride, it’s the total absence of practice — they were never asked what they needed as boys, never shown what asking looks like by their fathers, and never given a relationship where the asking wasn’t met with discomfort, redirection, or the subtle withdrawal of respect, and you can’t expect fluency in a language that was never spoken in the house where you learned to talk

Global English Editing