Lux Makes Stop Motion and Soap a Somehow Sexy Combination

Steve Hall

Nov. 17, 2006
1 min read

Portland-Based Bent Image Lab gets innovative and uses a human face to sex up a stop motion character who goes from sweetheart to siren in this 60-second ad for Lux Provocateur soap and agency Santo Argentina (Spanish version here). Executive Producer Ray Di Carlo explains, “It was just a really good way to solve a problem I see in some stop motion puppets –a lack of soul.”

Technical breakthroughs aside, the content is a far cry from Wallace and Grommett. After a forest bath with some black Lux soap the id-operative heroine makes the antlers of deer grow in addition to turning up mustaches on her former village brothers. And what in hell is going on with the whip-wielding gnome-looking thing? – Contributed by Angela Natividad

Steve Hall

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TRENDING AROUND THE WEB

Psychology says people who constantly set goals but never start them aren’t procrastinating – they’re protecting themselves from the possibility that trying their best might not be enough

Global English Editing

Psychology says people who cannot tolerate silence, solitude, or an unoccupied evening aren’t extroverts — they’re people for whom stillness has become dangerous, because stillness is the condition under which the things they have been outrunning are most likely to catch up

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Psychology says the reason some people can recognize a face from twenty years ago but forget a name from twenty minutes ago isn’t a memory problem — it’s an architecture problem, and the architecture was built this way long before you had any say in it

Global English Editing

7 things I’ve stopped apologising for in my late thirties that I wish I’d let go of a decade sooner

Global English Editing

If someone in your life never asks for help, never complains, and always says they’re fine – something far more serious than independence is happening: they’ve learned that their needs don’t count, and they’ve built an entire personality around not being a burden

Global English Editing

I’m 66 and I finally admitted out loud that I never wanted to be a nurse — I wanted to write, but in 1981 my parents said writers don’t eat and I believed practicality was the same thing as wisdom

Global English Editing