Animated Courtney Cox Dishes on Celebrities in ‘Dirt’ Promos

dance_dirt.jpg

To help kick of Courtney’s Cox’ second season of Dirt on FX, recently launched design and production company Arsenal created six animated “vignettes of Hollywood stars and celebutaunts caught in the act of wild, unbecoming behavior.” Each vignette is finished off with witty commentary from Courtney Cox.

There’s the all too common crotch shot, the mug shot, the booty shot, the herpes/STD/overdose and more. All six do a nice job capturing Hollywood’s…um…dirt, as it were.

Done as cartoons rather than quick shots of actual celebrity screw ups, it’s actually far more engaging while, at the same time, distancing the show from becoming as sleazy as the news the show covers. And even while hurling a cavalcade of wink/nod gossip, it’s done in a way that’s, well, almost nice to the celebrities involved. After all, they’re human beings too just like you and me.

Nice work. We might actually have to watch the show now.

Picture of Steve Hall

Steve Hall

RECENT ARTICLES

TRENDING AROUND THE WEB

Behavioral scientists found that people who were overly criticized growing up often become less likeable as they get older — not because their personality deteriorates but because the exhaustion of performing acceptability for 50 years eventually exceeds the energy available, and the “difficult” person their family describes is often just someone who finally stopped auditioning for approval that was never going to be granted unconditionally

Behavioral scientists found that people who were overly criticized growing up often become less likeable as they get older — not because their personality deteriorates but because the exhaustion of performing acceptability for 50 years eventually exceeds the energy available, and the “difficult” person their family describes is often just someone who finally stopped auditioning for approval that was never going to be granted unconditionally

Global English Editing

I’m 73 and my husband planned a cruise for our 50th anniversary and by the second evening I was standing on the deck looking at the ocean and crying—not because I was unhappy but because I’d expected to feel something enormous and instead I felt exactly the same as I do in my kitchen, and the realization that geography doesn’t fix the thing that’s wrong when the thing that’s wrong is internal was the most expensive lesson I’ve ever been taught in a bathrobe

I’m 73 and my husband planned a cruise for our 50th anniversary and by the second evening I was standing on the deck looking at the ocean and crying—not because I was unhappy but because I’d expected to feel something enormous and instead I felt exactly the same as I do in my kitchen, and the realization that geography doesn’t fix the thing that’s wrong when the thing that’s wrong is internal was the most expensive lesson I’ve ever been taught in a bathrobe

Global English Editing

Research suggests the simple act of eating a meal without your phone has become one of the most radical things a person can do for their mental health — not because the phone is harmful, but because the meal without it is the only daily occasion most people have left to exist without being reachable

Research suggests the simple act of eating a meal without your phone has become one of the most radical things a person can do for their mental health — not because the phone is harmful, but because the meal without it is the only daily occasion most people have left to exist without being reachable

Global English Editing

The generation that was never allowed to be tired, never allowed to be lost, never allowed to need anything from anyone is now sitting in quiet houses in their late 60s and 70s wondering why a lifetime of being needed by everyone left them feeling known by no one

The generation that was never allowed to be tired, never allowed to be lost, never allowed to need anything from anyone is now sitting in quiet houses in their late 60s and 70s wondering why a lifetime of being needed by everyone left them feeling known by no one

Global English Editing

The real reason your aging father who never expressed emotion in sixty years of marriage openly weeps when the family dog dies isn’t sentimentality. The dog was the one relationship where he was allowed to be soft without it being questioned, and the grief isn’t just about the animal, it’s about losing the only door he ever found for the feelings he was raised to lock away

The real reason your aging father who never expressed emotion in sixty years of marriage openly weeps when the family dog dies isn’t sentimentality. The dog was the one relationship where he was allowed to be soft without it being questioned, and the grief isn’t just about the animal, it’s about losing the only door he ever found for the feelings he was raised to lock away

Global English Editing

My daughter described her childhood to a friend last week and I overheard it from the next room—and the mother she described wasn’t cruel or cold, she was just less present than I remember being, less patient than I thought I was, and less fun than I tried to be—and the distance between the mother I performed and the mother she received is a gap I can hear but never close because her version is the only one that counts

My daughter described her childhood to a friend last week and I overheard it from the next room—and the mother she described wasn’t cruel or cold, she was just less present than I remember being, less patient than I thought I was, and less fun than I tried to be—and the distance between the mother I performed and the mother she received is a gap I can hear but never close because her version is the only one that counts

Global English Editing